Three book covers with a forest background.
Ruth Paul has two books on this weeks bestseller chart.

BooksJuly 4, 2025

The Unity Books bestseller chart for the week ending July 4

Three book covers with a forest background.
Ruth Paul has two books on this weeks bestseller chart.

The only published and available best-selling indie book chart in New Zealand is the top 10 sales list recorded every week at Unity Books’ stores in High St, Auckland, and Willis St, Wellington.

AUCKLAND

1 Butter by Asako Yuzuki (4th Estate, $35)

Butter has bumped Ardern’s memoir from the top spot. The sales graph for this book must look like the Himalayan mountain range: what an extraordinary ride this brilliant novel has been on.

2 The Safe Keep by Yael van der Wouden (Penguin, $26) 

A stunning debut novel by a writer of rare talent. That sounds like a giant cliché but in this case it’s absolutely true. You will not regret reading this lovely, powerful, perfectly formed novel set in the Netherlands of the 1960s. This debut novel also features on The Spinoff’s list of books that write sex exceptionally well.

3 A Different Kind of Power by Jacinda Ardern (Penguin Random House, $60)

Rachel Morris wrote a superb feature on Ardern for The New Yorker, in which she contextualised the memoir for American readers, and said of the book: “The tale of what it was like for Ardern to go from being adored to being reviled so quickly would have made for an unmissable book. That’s not the story she wanted to tell. A Different Kind of Power is her manifesto for a kinder, less cynical form of political leadership, with her own life story as evidence that such a thing is possible.”

Highly recommend clicking on the link above and reading the rest of what Morris has to say.

4 The Book of Guilt by Catherine Chidgey (Te Herenga Waka University Press, $38)

“Chidgey’s latest novel is uncannily similar to Kazuo Ishiguro’s Never Let Me Go (which she has not read),” writes The Spinoff’s Claire Mabey. “It takes similar aim at British identity by puncturing its society with the normalisation of skewed medical ethics. What both novels have in common are questions of nature versus nurture and the eternal thought exercise of what does it mean to possess a soul? The two writers share an interest in the dehumanising potential of such questions. Both Ishiguro (one of the greatest novelists of all time) and Chidgey (fast becoming one of the greats herself) investigate how whole societies, entire countries, can enter a path of gross moral corruption one person, one concession, at a time.”

5 Broken Country by Claire Leslie Hall (John Murray, $38) 
Reese Witherspoon loves this novel. The actress/book club host says: “Trust me—you are going to LOSE YOUR CHICKEN over it.
Broken Country by Clare Leslie Hall is an unforgettable story of love, loss, and the choices that shape our lives… but it’s also a masterfully crafted mystery that will keep you guessing until the very last page. Seriously, that ending?! I did not see it coming.”

6 Eurotrash by Christian Kracht (Serpents Tail, $30)

This novel was longlisted for the International Booker Prize and we can see why: there’s a lot more under the surface of this novel about a mother and son road-tripping across Europe. It’s a reckoning with the past, with the self, and with family.

7 James by Percival Everett (Picador, $38) 

“James offers page-turning excitement but also off-kilter philosophical picaresque,” writes Anthony Cummins in The Guardian “Jim enters into dream dialogue with Enlightenment thinkers Voltaire and John Locke to coolly skewer their narrow view of human rights – before finally shifting gear into gun-toting revenge narrative when Jim’s view of white people as his ‘enemy’ (not ‘oppressor’, which ‘supposes a victim’) sharpens with every atrocity witnessed en route. It’s American history as real-life dystopia, voiced by its casualties, but as you might guess from The Trees – a novel about lynching that won a prize for comic fiction – solemn it is not: ‘White people try to tell us that everything will be just fine when we go to heaven. My question is, Will they be there? If so, I might make other arrangements.'”

8 Girl on Girl by Sophie Gilbert (John Murray, $40)

The subtitle of this book is: “How pop culture turned a generation of women against themselves.” (Which sounds like a possible tagline for the The Substance – anyone else seen that little movie with Demi Moore and Margaret Qualley?)

And here’s the blurb: “Sophie Gilbert identifies an inflection point in the late 1990s and early 2000s, when the energy of third-wave and “riot grrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization. Mining the darker side of nostalgia, Gilbert trains her keen analytic eye on the most revealing cultural objects of the era, across music, film, television, fashion, tabloid journalism, and more. What she recounts is harrowing, from the leering gaze of the paparazzi to the gleeful cruelty of early reality TV and a burgeoning internet culture vicious toward women in the spotlight and damaging for those who weren’t. Gilbert tracks many of the period’s dominant themes back to the rise of internet porn, which gained widespread influence as it began to pervade our collective consciousness.”

9 Who Have Never Known Men by Jacqueline Harpman (Vintage, $26)

This novel was originally published in 1995 in French. It’s now being rediscovered as the dystopia of the premise catches up with the dystopia of the present.

10 The Let Them Theory by Mel Robins (Hay House, $32)

She’s baaaaaack!

WELLINGTON

1 A Different Kind of Power by Jacinda Ardern (Penguin Random House, $60)

2 Ghost Kiwi by Ruth Paul (Scholastic NZ, $20)

Ruth Paul has a double-whammy this week as she launches two books! Ghost Kiwi is a middle grade novel about Ruby, who runs away with her dog to the one place she feels safe … her treehouse in the forest. “Joined by her friend, Te Ariki (aka ‘Spider’), the pair soon make a surprising discovery – there’s a kiwi living in a burrow nearby, caring for a newborn chick. A white kiwi chick.

Accompanied by a strange talking doll, and aided by the ancient wairua of the bush, Ruby and Spider step up to become true forest guardians, risking their lives to stop unscrupulous wildlife smugglers from stealing this rare native treasure.”

3 Anahera: The Mighty Kiwi Māmā by Ruth Paul (Puffin, $21)

Paul also launched this lovely picture book – the true story of Anahera, a rescue kiwi who now roams the hills of Wellington.

4 The Book of Guilt by Catherine Chidgey (Te Herenga Waka University Press, $38)

5 Caledonian Road by Andrew O’Hagan (Faber & Faber, $35)

The new format release of this novel by O’Hagan is giving the best-selling novel another best-selling life.

6 Mātauranga Māori by Hirini Moko Mead (Huia, $45)

A major publication by Hirini Moko Mead who explores and explains what mātauranga Māori is. “He looks at how the knowledge system operates, the branches of knowledge, and the way knowledge is recorded and given expression in te reo Māori and through daily activities and formal ceremonies. Mātuaranga Māori is a companion publication to Hirini Moko Mead’s best-selling book Tikanga Māori.”

7 The Safe Keep by Yael van der Wouden (Penguin, $26) 

8 Butter by Asako Yuzuki (4th Estate, $35)

9 Delirious by Damien Wilkins (Te Herenga Waka University Press, $38)

The glorious award-winner from Wilkins.

10 Orbital by Samantha Harvey (Vintage, $26)

Last year’s galactic Booker Prize winner returns to this list like a comet in the night.

Keep going!
a library background with little images of coins and a hand holding a gree book
A novel idea has had a good impact on readers (Image: Wellington City Council/The Spinoff)

BooksJuly 4, 2025

Public libraries ditched fines – and got more visitors

a library background with little images of coins and a hand holding a gree book
A novel idea has had a good impact on readers (Image: Wellington City Council/The Spinoff)

Almost every public library in New Zealand no longer charges fines. How has that affected usage? 

In 2021 and 2022, following a push overseas, many New Zealand public libraries ditched fines. “It’s this idea that we’re supporting our users in our community – not that a library is a space where you might be fined,” says Anne Goulding, a professor of library and information science at VUW. 

Instead of libraries charging an increasing fee when a book isn’t returned, and having to at times engage debt collectors to do so, the model changed. Users still have to pay when they lose a book, and if items are overdue, their accounts can be frozen. But for the most part, walking into a library with a book due last Tuesday won’t cost money to fix. 

“People feel embarrassed and ashamed when they have fines, and often stop using the library,“ says the website of Fine Free Aotearoa, a campaign from Public Libraries of New Zealand. According to their map, Wairoa is the only district that still has library fines on children’s books: 30 cents per overdue day and $3.50 for each reminder letter they send. Six libraries (Hamilton, Whanganui, Marlborough, Grey, Waimate and Wairoa) still have overdue fines for adults. Fine Free Aotearoa quotes dozens of local and international examples – including Upper Hutt, the first library system in New Zealand to drop fines – showing that removing fines increased library usage.

After three years without fines, Christchurch City Libraries has definitely seen an increase in usage. “Following the removal of fines, we have seen an 8% increase in the number of library members using our collections and services,” says Rosie Levi, the acting head of Christchurch City Libraries, where fines were dropped in July 2022. 

The data is positive across all libraries: Wellington City Libraries saw a 30% increase in new customers in its second year without fees, even though the city’s main library is closed. “The problem with library fines wasn’t that the books didn’t come back – it was that the people never did. Now our libraries are truly for everyone,” said Wellington councillor Rebecca Matthews earlier this year, having championed the change. 

Even when fines were collected, it wasn’t a significant portion of the cost of running libraries; in Auckland, 33% of fines were never collected. While it’s difficult to track exactly how much administering fines cost, there was an impact in staff time, negotiating payment plans and calling customers on the phone. Use of electronic books – which return themselves – meant that the number of people getting fines was already decreasing. 

The change was a simple one, says Goulding, but it indicated something more profound. “Having fines is kind of paternalistic – the idea that people can’t be trusted to return things on time.” It’s also a question about what the fines achieved. “Some people say that library fines are good, because they teach people to be civic minded and responsible – but is that really the job of a library?” 

There are some caveats to the data. Councils started removing fines at the same time as pandemic restrictions ended, which brought people back to libraries. And high inflation and job losses tend to be an indicator of library use. “It’s called the Librarian’s Axiom: when there’s a recession, library use increases,” Goulding says.

a young girl reading in a nook with colourful carpet and bookshelves behind her and lots of floor space
Te Awe Library in Wellington is a space designed for community use as well as storing books (Image: Wellington City Council)

The logic of removing fines and making libraries more popular is obvious. People with overdue books might avoid going back to a library and making use of its resources because they don’t want to pay a fine; people might check out fewer books, because fines for five overdue books would be more than fines for one or two. 

Removing fines does impact library revenue streams. The revenue for Christchurch City Libraries for the 2024-25 year was $569,000, less than half the $1,354,000 in revenue in 2020-21, before fines were removed in 2022 and holds became free in 2024. “It’s easier for large library systems in major cities to absorb that cost, smaller ones struggle,” Goulding says. 

As the removal of fines shows, libraries are finding ways to serve their community beyond just providing access to books. “If you ask people what libraries are, the quality of ‘library-ness’ is around books,” Goulding says. But while “books are still at the heart of what libraries do”, libraries have benefitted from expanding their offerings. 

“We know that half the community don’t use our services,” says Mat Logan, manager of culture, content and learning at Selwyn District Council. If you’re regularly checking out books, you get a great deal; not so much otherwise. “Some people have books at home, some have English as a second language, some have poor literacy, some just don’t like books. But they all pay rates.” 

a girl in a tutu and a rainbow top dances in front of a cellist and violinist
A Christchurch Symphony Orchestra performance at Te Ara Ātea in Rolleston (Image: Selwyn District Council)

Encompassing the rural land to the south and west of Christchurch, including Rolleston and Lincoln, Selwyn is New Zealand’s fastest growing district. Lots of people haven’t been in the area long, presenting a challenge to libraries. “People are migrating from metropolitan centres looking for housing affordability, and they bring with them big city expectations of services,” Logan says. 

Selwyn’s libraries have responded with creative event programming: finding people in the local community who have skills to teach. Workshops this winter include pattern drafting, ring making, female self defence, gin making, Matariki crafts and a series teaching te reo Māori. The quarterly brochure has become “an eagerly anticipated release… we have people who are diehard fans of the content,” Logan says.

There’s been a change in who comes into the library: older dads and their 20-something sons attending a beer brewing course, or older Pasifika people attending a dance workshop – demographics the library usually sees less of. “The signs of success are when you look around and think ‘I haven’t seen half of those people before’,” Logan says. 

a group of people bending over a table weaving green harakeke in natural light
A kete weaving workshop with Te Kāhui Hono (Image: Selwyn District Council)

It’s required financial commitment, including a dedicated programming team who find people to teach bonsai cutting or fly fishing. Selwyn Libraries hosts a mix of free and paid events. “We make that money back [through paid events], but there are ways you could do this without spending so much money – a gardening series, a seed swap.” 

As with removing fines, this requires a broader view of what libraries are there for. “Maybe people leave the class with a book about home brewing – that’s great. But maybe they go and watch a YouTube video, or take another class,” Logan says. 

Newly built libraries often include space for a range of activities. “More mobile shelving can be moved around, and lower shelving makes the space lighter and brighter,” says professor Goulding. “There is a conflict there – because it means less space for books.” 

Books remain vital resources – but libraries can be a starting place for all kinds of lifelong learning, Logan says. “We see our role as going as broad as possible, planting a bunch of seeds and seeing what will sprout.”