The cover of Tina Makereti's book, This compulsion in us, which shows moko tattoo on a woman's chest, against a background of a car tunnel.
This compulsion in us by Tina Makeriti is a long-awaited collection of the acclaimed writer’s non-fiction.

BooksMay 29, 2025

The dawn of 1989 and the night that saved me

The cover of Tina Makereti's book, This compulsion in us, which shows moko tattoo on a woman's chest, against a background of a car tunnel.
This compulsion in us by Tina Makeriti is a long-awaited collection of the acclaimed writer’s non-fiction.

In this excerpt from her new book This Compulsion In Us, Tina Makereti writes about the night she refused to go in her dad’s car. 

It is the summer of my 15th birthday when Dad has the party. It’s still the start of summer, the end of the school year, and even though it’s mostly old people at this party, I’m glad to have free access to the booze. Usually I have a friend with me, but this night I don’t, which is a relief really, considering what comes next. I don’t know if I have any friends left at this point anyway, given the way the year has gone. There have been a number of poorly judged friendships and relationships from which I emerged as lonely and lost as ever. Too many cigarettes smoked and too many awkward experiments with bogan teenage rebellion. As usual, I don’t think I’ve fooled anyone into thinking I have anything together or am cool in any way, which, embarrassingly, is probably all I want in life. I haven’t learnt to embrace my inner weirdo yet. Or her outward manifestations.

I’m in the kitchen leaning against the long Formica bench where all the drinks are lined up. Dad used to take me to the pub and give me “ladies’ drinks” like Pimm’s and shandy, but I don’t think he bothers policing what I’m drinking anymore. I’m in a conversation with Dad’s best mate, who is ten or so years younger than him and not as gross as all the other middle-agers in the room. He always has an attractive girlfriend too. This memory is 30-something years old, so I don’t know how we get to this exact moment. It’s just suspended there, this one conversation and what comes after. We’re talking about the nature of women’s orgasms, and he has it wrong.

“That’s not how it works,” I hear myself saying. I’m searching his face for some sign that he’s taking the piss, that he has some ulterior motive. I might not be any good at dealing with kids my own age, but I have impeccable instincts when it comes to adults.

“But I thought when the guy shoots his load, you know, the woman is done too.” He seems genuinely puzzled, if slightly amused. 

“Nah—it’s different for her.” I’ve never actually had an orgasm, but I’ve read the collected works of Jean M. Auel and Alice Walker. Those books are educational

“Really? I always thought that when it happens for him, it happens at the same time for her.” He pauses. It’s impossible to have this conversation without imagining him banging away at his current girlfriend, and her efforts to look completely satisfied when he finishes. How could it be that none of them have told him? 

“How does it happen for the woman then?” he asks. 

This is the big question. I’m not sure how to explain. It’s one thing to point out how it doesn’t happen, quite another to get into the intricacies of how it does. Anatomical words will need to be used. If I’m wrong, and if there is some other motive at play in this conversation, it could all get very uncomfortable very quickly. I’m not entirely sure why it has been comfortable to this point. People seem to be treating me like an adult. I’ve been told I look like one. 

But suddenly I don’t have to explain. Suddenly Dad is there, yelling. 

“What are you talking to my daughter about? I invite you into my home and you talk to my daughter like this?”

“It’s OK. She’s not worried about it.’”

“I’m worried about it.”

“It’s not a big deal.”

At this point, Dad becomes enraged. Of course it’s a big deal.

I don’t understand the fuss. Nobody else understands the fuss. I’ve spent much of the last year being dragged to pubs and house parties by my father (better than leaving me home alone), surrounded by middle-aged men and their women. I’ve seen more than a few drunken liaisons that I wish I hadn’t been privy to. But this is my dad. Some line, known only to him, has been crossed. 

“Mate, I didn’t mean anything by it.” 

“How dare you talk to my daughter like that! How dare you!” 

People try to get Dad to calm down. But this makes things worse. Everybody get out. A punch or two is thrown and dodged. There is pushing. People are shaking their heads. 

“Mate, you’re crazy.”

“Out,” he yells. “Get out, the lot of you!”

People head towards the door. Some of them are still trying to calm him down. Maybe someone asks if I’m OK. I give them a noncommittal affirmative; what are they going to do if I’m not? 

Dad goes to see the stragglers off. The party’s over. Friendship too. 

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I retreat to the lounge. On Saturday mornings I come into this lounge and watch reruns of The Addams Family and the original Star Trek. There’s a massive 1970s rock-wall fireplace in here, two old lounge chairs beside it. Other than this, the house is mainly empty of furniture. I sleep on a mattress on the floor. It’s our third or fourth place this year, since my big sister left home. Soon it will be my birthday, the day before New Year’s Eve 1988, and the following night, while getting a ride to a party, Dad will be so drunk he’ll try to exit the car while it’s speeding along the motorway.

When we get to the party and discover how dire it is, we will both want to go home and he will insist on taking someone’s car to get there. Afraid his drunk driving will kill me, I will refuse to get into the car with him, the first time I’ve ever done such a thing. It’s not the first or the last time I will fear his drunkenness or his driving, but after a screaming row that raises the neighbourhood, we’ll walk the two or more hours home just before the first dawn of 1989, exhausted but alive.

In a couple of months we’ll leave this house. Dad will leave town and I will stay to finish high school, boarding privately. That bleak New Year’s will also be the night that saves me, since it will be the moment we both realise that it can’t go on, and Dad will eventually give me the gift of his departure and my independence. 

A photograph of a woman, smiling in an outdoor setting with pale green background.
Tina Makereti, photographed by Ebony Lamb

But right now I am by the fireplace and the world is spinning. I close my eyes to enjoy the sensation. Things have gone quiet. Dad comes and sits across from me, by the fireplace. 

“You OK?” he asks.

“Everything’s spinning,” I say.

“Yeah, that happens sometimes,” he says. I can tell from his voice that I’m not in trouble. The fight has gone out of him, and now he sounds gentle. He leans back, mirroring my pose. 

“You gonna puke?”

‘No—I don’t think so.’

And we sit in companionable silence for a long time, the world spinning in bliss or madness, I don’t know what.

This Compulsion In Us by Tina Makereti ($40, Te Herenga Waka University Press) can be purchased from Unity Books.

Keep going!
A photo of Tina Makeriti, a Māori woman. She is smiling. Behind her is a collage of different book covers.
Tina Makeriti’s book of nonfiction, This Compulsion In Us, is out now. Image: Tina Tiller.

BooksMay 28, 2025

‘Like swimming in a sea of legendary writers’: Tina Makereti’s books confessional

A photo of Tina Makeriti, a Māori woman. She is smiling. Behind her is a collage of different book covers.
Tina Makeriti’s book of nonfiction, This Compulsion In Us, is out now. Image: Tina Tiller.

Welcome to The Spinoff Books Confessional, in which we get to know the reading habits of Aotearoa writers, and guests. This week: Tina Makereti, author of This Compulsion In Us.

The book I wish I’d written

This changes depending on what I’m reading at the time, if it’s good! Like now I’m reading Gliff by Ali Smith, and I wish I could write something like that. It’s set sometime in the near future, and somehow post-apocalyptic, which also seems to be post-this-exact-moment, and tightly narrated so that you are inside this paranoid, limited world of a young person living in a high control society. But there’s also a lot of beauty, particularly around words. 

Everyone should read

Everyone should read whatever they want because all that matters is that they read. I’m avoiding naming a single book because I can’t see how it’s possible to name a single book. I saw someone else online saying this exact thing recently and even though it might seem glib and obvious, it’s still profound. How about not judging what anyone reads? How about reading whatever gives you joy, or calm, or relaxation, or fuel?

The book I want to be buried with

No don’t bury books! Someone else can read them when I’m gone!

The first book I remember reading by myself

I don’t remember a specific book but I was obsessed with fairy tales, and Cinderella was my favourite for ages. Those stories are just so archetypal — I don’t think anything can replace them, alongside folktales, legends, mythological stories, creation stories. I’m still fuelled quite strongly by those kinds of stories and I still enjoy reading or watching versions of them.

Dystopia or utopia

The only utopian works I think I’ve read or watched tended to be dystopia in disguise. I find it hard to imagine a story that is truly utopian. And dystopia comes so naturally. Dystopia is kind of the air we breathe, quite literally. Which makes me very curious about utopia…

The book that made me laugh

Michelle Duff’s Surplus Women. It’s laugh out loud funny, and that’s not easy to pull off, especially when the subject matter can be confronting. The laughs come from Michelle’s sensibility behind the stories, and also her willingness to just say the thing. Funny writers seem so unafraid.

The cover of Gliff by Ali Smith, The cover of The book of Night Women by Marlon James, and the cover of Surplus Women by Michelle Duff.
From left to right: The book Tina Makereti wishes she’d written; a book belonging to one of her most memorable author encounters; and the book that made her laugh.

Encounter with an author

Going to the Calabash Festival in Jamaica was wild — like swimming in a sea of absolutely legendary writers. I had encounters with a many incredible writers that week. A few embarrassing encounters too.

Marlon James was there having freshly won the Booker, and I was reading The Book of Night Women, which is an extremely moving book, so I was having a massive fangirl moment. Marlon was quite distant though, which wasn’t surprising. I don’t think it can be easy to deal with all the attention that comes from winning the Booker.

Eleanor Catton was there too and she seemed more relaxed than the year before when she had won! But the most impressive moment might have been at the end of the festival, when there was a big meal and drinks put on for us. I met poet Raymond Antrobus in line for kai, before he had won so many prizes, and later emailed him to ask if I could use his surname for a character in the book I was writing. I don’t know what I was thinking.

After I filled my plate I found a seat at a big table, full of friendly faces. A very distinguished looking gentleman came to sit across the other side. He seemed to know everyone else at the table, but when he clocked me, he stood again and extended his hand. He said, “Hello, I’m Linton.” I shook, hopefully I introduced myself, I can’t remember, but I do remember my face registering my dawning recognition and surprise. The women at the table nodded and laughed. “Yes it is!” someone said. Linton Kwesi Johnson, Jamaican-British dub poet, activist, musician. Absolute legend of legends. Inventor of form. I don’t know if he’s so well known here, or that I know his work well enough, but he sure had a presence.

Best food memory from a book

Got to be all the kai in The Bone People! And the booze. The big, hearty, straight-off-the-land meals in that book provide a much needed comfort: a counterpoint to the violence.

Best thing about reading

The feeling you get when you’re so taken by a story that you absolutely have to get back to the book, and you kind of carry the story around with you when you’re not reading – you might even think about the characters the way you think about friends or family.

There are lots of great things about reading, but being so transported by a book, so in love with it, must be one of the most pleasant experiences you can have. I don’t get that often anymore, so when I do have it, I really notice. Because reading for work is always my first commitment, I need something really enthralling if I’m going to read for fun.

I reckon it must be a slightly different formula for everyone, and that’s the nice thing. I often find what other people rave about just doesn’t do it for me. Everyone has a slightly different alchemy in terms of what they need from a book. All of this applies to the process of writing too.

Best place to read

If I’m travelling alone, it’s always good to read in cafes, restaurants, pubs even, certainly on public transport, in parks. Reading outside is always nice.

This Compulsion In Us by Tina Makereti ($40, Te Herenga Waka University Press) is available to purchase through Unity Books. This Compulsion In Us launches at Unity Books Wellington, 6pm, Wednesday 28 May. All welcome.