A collage featuring vintage family photos, a wrapped burrito on a tray, a restaurant menu board, and people sitting or standing together, all set against a background with green and red accents.
Photos: Supplied

KaiMay 30, 2025

The secret history of Wellington’s most legendary falafel spot

A collage featuring vintage family photos, a wrapped burrito on a tray, a restaurant menu board, and people sitting or standing together, all set against a background with green and red accents.
Photos: Supplied

Fighting on the streets of Beirut, recipes written on scraps of paper and a daring escape from near-certain death: the story of how Phoenician Falafel got its menu.

Table Service is a column about food and hospitality in Wellington, by Nick Iles.

Wellington, 2025. A menu, handwritten high up on the wall above the kitchen. Yellow, red and green on a black background. Traditional Lebanese dishes. Baba ghannouj, shawarma, makanek, kibbi. Behind the counter, Yolanda Assaf cooks orders with homemade ingredients as the noise of the busy junction outside fills the space. 

Beirut, the summer of 1958. While resting on the colourfully tiled floor of his living room, a seven-year-old Antoine ‘Tony’ Assaf looked up to see a bullet tear through the whitewashed walls of his home. His family gathered low in the middle of the room, all desperately praying that they would survive. The army outside was relentless in their attack; one shot came so close to a neighbour’s head that it left a permanent scar. It was the first time young Tony had ever heard gunfire.

Tony spent most of his childhood on the streets of Beirut exploring and adventuring among the fallen columns and ruins of civilisations past. Most days, he would arrive home from school only to throw his bag through the front door and leave immediately in search of more excitement. An entrepreneur at a young age, he used money he had cobbled together to buy up boxes of bright, individually wrapped bubble gum on the cheap before selling the contents on to the boys of the neighbourhood at five times the cost – until his mother caught him at it. The business was liquidated at once, and he was left looking for other forms of entertainment. Due to his keen sense of justice, this often meant fighting, looking out for the weaker ones being picked on and getting stuck in on their behalf. Before long, his reputation grew, and the other boys in his neighbourhood were told to stop playing with him. He was officially trouble. 

Behind the counter, Yola cooks the falafel in a traditional circular pan. Lined up neatly around the perimeter, they’re fried so the edges turn lacy and crisp, delicate shards pointing in all directions. She assembles a heated wrap with pickles, tomato and homemade hummus. It is set to one side as she finishes the order. 

The menu at Phoenician Falafel, unchanged since it opened (Photo: Nick Iles)

It was on New Year’s Eve of 1961 that life got more serious. When walking across town to visit his uncle, Tony accidentally found himself in the middle of an attempted coup. The Syrian Social Nationalist Party had cut the military’s communication lines and besieged the ministry of defence in an attempted hostile takeover. It lasted barely four hours and is a footnote in Lebanon’s complex history, but it left a deep mark on Tony. He became politically motivated and devoured the newspapers every day. He wanted to make sure people were safe. It was with this full heart and strong head that he enlisted at the age of 20, but it was a short-lived military career. Within three months he realised the subservient life was not one for him; a superior officer tried to push him around and he responded in the only way he knew how. Tony was swiftly sent to military prison for a short sentence.

Young Tony Assaf with family members in Beirut in the 1970s (Photo: Assaf family photo archive)

Yola shapes the beef of the makanek, a kind of Levantine sausage, by hand and throws it leftwards on the flattop to cook. She heats a wrap and generously spreads the hummus, adds a fistful of homemade gherkins and fresh tomato. Three fat makanek are lined up on top, and the whole thing is wrapped. 

In 1975, Tony became engaged to Yola; they had known each other since they were children, and in 1977 were married. They were very much in love, but those early years were set against the gunfire and bloodshed of the Lebanese Civil War. Over the next 15 years, they raised four children while their neighbourhood was a near-constant battlefield. Tony did what most men in his area did: he joined the resistance and fought to keep his family and community safe. 

A man with a mustache and a woman sit closely together at a table, smiling slightly. The table has dishes, a ceramic jug, bottles, and utensils. The photo appears old and has some damage at the edges.
Tony and Yola as newlyweds in Beirut (Photo: Assaf family photo archive)

Late in the conflict, rival forces put a bounty on his head, making a public order for his capture. It was a death sentence. He was forced into hiding and plotted a plan to escape. Food would be his means of survival. 

He moved through the city quietly, calling in favours from those he trusted. In secret, he made his way to the best falafel seller in town and asked for his recipe, then to the best shawarma place, and then to the man who shaped and spiced the best makanek. They knew him. They loved him. They helped. Within weeks, he had a pocketful of recipes, all scribbled by hand and all of the best Beirut had to offer. 

Street view of a small restaurant with signs reading "PHOENICIAN FALAFEL" in neon and "AUTHENTIC Lebanese Food" on the window. Outdoor tables and chairs line the brick sidewalk. A "Havana Coffee Works" sign is visible on the left.
Phoenician Falafel at 11 Kent Terrace (Photo: Joel MacManus)

In 1995, Tony, Yolanda and the whole family boarded a flight to Aotearoa and settled in Pōneke. Tony carried two precious items: that stack of handwritten recipes and a $100 BBC English language cassette tape programme. This was his lifeline to the new country he was about to encounter. He hid himself away in his apartment and studied. Eight tapes and several months later, he stepped out into Wellington with his newly acquired tongue. Before long, he had secured the deeds to the bricks and mortar he would call home for the next 28 years, 11 Kent Terrace. He wrote the menu high up on the wall that first week. It remains unchanged to this day. 

Tony and Yola on opening day (Photo: Assaf family photo archive)

It is in this space and up those stairs that Tony and Yola still make every last element from scratch from the recipes written down in their previous lives in Beirut: the hummus, the baba ghannouj, all the pickles and garlic thoum. They even grind their own tahini from seed. 

Yola calls my name, and I am summoned to collect my falafel and makanek, both wrapped tightly in silver foil and presented on small blue plastic trays. They focus on quality ingredients, only using corn-fed chicken and lamb fillet for their shawarma and premium topside beef for their makanek. Spices of the Levant course through the beef, vast plains of aromatics and nuance: nutmeg, cumin, paprika. The falafel is at once delicate yet firm, light but with meaning. It is laced with those familiar spices that all take their turns appearing before making way for others: cardamom, cinnamon and more. Both in a flatbread with decadent hummus, thoum, tomato and crisp lettuce for texture. 

That menu, with so much more to explore, is a direct portal to Beirut in the early 1990s. It is one that has come so far and will continue its journey with their son Elie Assaf at his Auckland shop, Lebanese Grocer. It is a menu that tells just one of the many stories of Yola, Tony and their whole family. A piece of history written down by hand, wrapped tightly in foil and before us all now in this faraway country. 

A woman stands smiling with arms crossed in a doorway, while a man in a red shirt sits on a stool next to her outside, also smiling. They appear relaxed and happy.
Tony and Yola in 2025 (Photo: Assaf family photo archive)
‘He mea tautoko nā ngā mema atawhai. Supported by our generous members.’
Liam Rātana
— Ātea editor
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KaiMay 28, 2025

Is homemade butter worth it? Two methods, put to the test

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With butter prices slipping through our fingers, we took matters into our own hands. 

Every day it feels like there’s a new headline about Aotearoa’s butter price blowout. With Stats NZ reporting a 65% price hike since February last year, a block of butter is slipping out of reach for many, with the rise unlikely to melt away anytime soon. People are lining up at Costco to bulk buy blocks of slightly cheaper butter, with one man even driving 750km to fill his van with the stuff. And it’s putting pressure on cafes around the country, with some forced to hike their cheese scone price up to a whopping $8, and others resorting to buying butter from Australia.

It got us thinking: would it be cheaper to make butter yourself at home? How hard can it really be? And will it taste just as good as Costco’s finest

Alex Casey tried the shaking method

My recipe for homemade butter came from The Stay at Home Chef, whose promise of “a fun old-fashioned activity for kids” seemed achievable even for me, an adult who once let a whole unopened bag of frozen corn melt onto the sizzling hot element because I got distracted on my phone. The only prep required was picking up 300ml of fresh cream from Pak’nSave Riccarton for just $3.25, digging out an old jar from the garage, and washing the spider corpses out. 

As I watched the arachnid exoskeletons circle the drain, I felt a sense of old world charm seep in. There was no electricity or machinery needed here, and no fancy chemicals or additives apart from good old fashioned elbow grease. I diligently poured one cup of cream into the jar, twisted it shut, and began to shake with reckless abandon. Alas, within seconds of vigorous motion, I was splattered with cream (not accepting any blue humour at this time). 

Full video only available for paying subscribers. (Image: Alex Casey)

With the jar safely secured with packing tape, I settled in again to listen to a 5.02 minute long voice note from a friend while doing my first round of shaking (the Stay at Home Chef promised five to seven minutes). About 20 seconds in, my right arm started to ache and I had to swap to the left. This went on for a while, until I settled on using both hands and shaking from side to side like an excited trophy winner, and then back and forth in front of me like I was doing high speed netball passes.

As the voice note finished, I was delighted to hear no more sloshing in the jar. Could it be that I had just made butter in half the time of the ‘All Too Well’ 10-minute version? I sliced through the sellotape feeling like Old Mother Hubbard, but was crestfallen to find nothing but whipped cream within. I ate a conciliatory teaspoon, and got back to work. 

Animorphs: Butter edition. (Image: Alex Casey)

The next voice note I shook my way through was eight minutes long (my friend is fine) and by the end of it I heard a satisfying “THONK” inside the jar. The contents had separated into a thin white cloudy liquid housing what can only be described as a bright yellow brain within. I strained it all through the sieve and was delighted to find a near perfect sphere of butter waiting to be mooshed into a small bowl with a bit of salt and garnished with parsley. This is the 90s after all. 

I burnt a piece of Vogel’s to a crisp and slathered it from coast to coast in my luxury hand shooketh butter. It was delicious, creamy, just like from the shop but possibly even better because of the delectable analog smugness. All in all, I got about 78 grams of butter from my 250ml of cream (minus the sleeve spill and the conciliatory teaspoon of cream) which means I’d be spending $20.80 to make my own 500g block (which is not the projected price until August). 

Butter from my own two hands. Image: Alex Casey

Daylight robbery you cry, but there is hidden value here. Consider the free arm workout, the free science extravaganza, free buttermilk, and free 50ml of leftover cream. The next morning I made two pancakes with the leftover buttermilk, served with leftover (jar whipped) cream, and of course my own melted homemade butter. It was a turducken of dairy products that had gone farm to plate, nose to tail, liquid to solid and all the way back again. A priceless bit of fun in a bleak ass world. 

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Anna Rawhiti-Connell tried the KitchenAid method

I set the task of making butter with my KitchenAid for myself, confident it would be easier than Alex’s shaker method. Bridget Jones famously described married people as “smug marrieds”. I am describing KitchenAid owners as smug KitchenAiders. When someone comments on something impressive you’ve made with a KitchenAid, you can’t just take the compliment, you have to say you made it with a KitchenAid, but you’re allowed to pretend you’re saying that to highlight it’s no big deal to make homemade pasta when you are aided by precision engineering. Those are the rules of KitchenAid club.

KitchenAid’s “recipe” for butter is cheerfully titled “Homemade Butter – Colour of the Year 2025”. It’s a) a Pantone-esque announcement about their colour of the year and b) a sales pitch for their cheerful and accidentally bleak-sounding colour range, described as a “soft, energising butter yellow with a creamy satin finish”. Like butter, I guess?

I woke up yesterday morning, my butter-making task on my list, and promptly handed half the job off to my husband by asking him to get some cream on his way back from the gym. “Why?” he said “Work” I replied. He nodded wearily, knowing it would be for some cockamamie experiment that my type A personality couldn’t resist partaking in. I’d said I needed a 330ml bottle of MeadowFresh cream to match Alex’s cream “for science”. He wearily said there wasn’t any and wearily put a 500ml bottle of Anchor cream in the fridge. The experiment has been corrupted and has already cost me $4.84 and a spousal favour backlog.

The almighty KitchenAid. (Image: Anna Rawhiti-Connell)

I poured 330ml of cream into my KitchenAid bowl along with half a teaspoon of salt. One KitchenAid recipe I googled mentioned a “whipping disc”. I don’t have a whipping disc. I panicked for a brief second before returning to the first KitchenAid butter recipe I’d found the day before which just used the standard whipping attachment. I don’t know why there are so many “recipes” for something made of cream and centrifugal force.

The recipe advised it would take 10-15 minutes for the butter fat solids to separate from the buttermilk. I’d half read a message from Alex the night before about how long it took her to make butter using just her arms and a jar and was immediately crestfallen because I thought she’d said seven minutes. I’ve just read her butter odyssey properly and my zest for life has returned.

The KitchenAid recipe advised slowly dialling up the machine from one to turn-it-up-to-11, Vin Diesel speed. From cream to separated fat and buttermilk, it took eight minutes to get butter. I drained it in a sieve as per the instructions and rinsed it a few times with cold water to rid it of the last of the buttermilk. Voilà, le beurre! 

Voilà, le beurre! (Image: Anna Rawhiti-Connell)

The magic of making something you have spent your life assuming required a gigantic industrial manufacturing process and the feeling of pretending you’re sticking it to Big Dairy are enough to make the extremely dodgy economics of this endeavour worth it. I got 86 grams of butter from 330ml of cream. To make 500 grams of butter would have cost me $28.13, so it makes zero fiscal sense. I suspect the mixer approach, while faster, also wastes more cream by the time you lose the precious fats of our land to the bowl, the wall, your face, a spatula and a sieve.

The butter was taste-tested by my colleagues yesterday, who praised it after spreading it on bread and putting that into a toasted sandwich press. I can confirm without the mask of a toastie, it tastes like butter, and I feel like a science wizard. A+++ would make it again if I won Lotto or owned a cow.