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SocietyMay 10, 2025

On being my own mother this Mother’s Day

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Sometimes, when you want something done well, you just have to do it yourself.

I lower my gaze demurely, then look into my new therapist’s eyes, ready to astound and impress him.

“My life right now feels like I’ve got this car – this beautiful car I’ve always wanted – but almost all of the time it’s being driven by a drunk and distressed four-year-old who’s constantly crashing it into things and situations and relationships and I’m there but I’m buckled into the backseat -or no- I’m bound and gagged in the boot and I’m punching at the cover to be let out. And this kid is just driving my life around and trashing everything that I’ve worked so hard to build.”

I give myself 10/10 for delivery. I practiced it, in the weeks before this session. I tweaked the words, perfected them, then un-perfected them so that they’d sound unrehearsed. He doesn’t reply and I assume he’s taking a moment to process and savour the depths of my metaphor. Surely if I can keep coming up with bangers like this, I’ll be one of his most exciting, profound clients. I wonder if he finds me attractive. I laugh nervously, he doesn’t.

After a painfully long silence he asks – like it’s no big deal – 

“And how are your parents?”

My blood drains and my body splits in two – half of me running for the door, the other half frozen on this couch, jaw clenched and breath held.

I try to answer. 

“Well, my mum, she’s struggled all my life, she –”

No,” he cuts me off, “Your internal parents, how well are you parenting that child that’s driving around and crashing your life?” 

After the session, I come to, standing in a toy store staring at a Sylvanian Family campervan that costs a quarter of the price of my actual car. He told me to bring her here. To buy her something. I drift through the aisles in a daze, letting the little wound in me see each shelf. I pause at the beanie babies, at the lego, at the board games. I am shell shocked – a new mother just handed a triggered and scraggly four-year-old to adopt. I pull out my phone and check how much money is in my account. There’s enough in there to buy something here. I look at the toys and try to imagine what I would have wanted when I was little.

It’s too expensive, I hear her whisper when I look at the price of each toy. 

I go home empty handed and sit on the end of my bed, arms tightly crossed and sulking. He told me to sit with these feelings, to try to “find my adult self” in them. To tear apart the sullen child from the rational adult. Which is a bit like asking me to pull a single sheet of paper apart, to find the corner with my nail, pick at it until it becomes pulp in my hand.

I look at her pouting in the mirror opposite my bed. I pull myself a step back, try to look at this kid as someone separate to me. For a short moment, I think that if I can work out how to do this, maybe I will be able to foster an abandoned child one day.

You’re not what I wanted, she says, her lip curling up and away from me. 

I know I’m not, I reply, but I’m the only one here.

The next day I wake up with the same feeling – this alien child sitting outside of my body, waiting for me to do something good. I get up, get dressed, find myself driving into town to a strip of op shops. I wander through them all – arts and crafts, toys, kids books. I don’t buy anything but I go back the next day, and the next. I start driving to work so that I can go there on my way home. I buy small things at first, then more and more. Stickers, finger paints, big paper and jumbo crayons, and all the other things that kids can use to express themselves before they have words to. I take them all home and stuff them into a small box, then a large box, then a whole cupboard. My crew of soft toys grows beyond a reasonable size. When my partner is away for the night, I take them all out and sleep with them in my bed.

I buy paints and pens, the nice ones I never got to have as a child. I spend time with them each week. I lock my doors, put on music, lay it all out in front of me. I don’t need to be good at art, I don’t need to be good at anything, I just need to be here.  

In therapy each week, we go back to every challenging part of my childhood I can remember and invite these young versions of myself into this future with me. A future where they are safe and have me to love and protect them. They each arrive the same, to our therapy session then to my bedroom door, utterly unimpressed that we are not still living in my childhood bedroom and devastated that my actual mother is on the other side of the world from us. And to cope with the feeling, with the new grief every young version of me feels for having lost my mum, I buy them things, I buy them anything they want. I wander the supermarket, department stores, malls, op shops, my mind thrumming, If I had a daughter, if I had a daughter, if I had a daughter.

There are foods I’m intolerant to and until now I have eaten them anyway. Out of politeness, or an acceptance that pain and inflammation and brain fog and anxiety are just the price everyone pays for eating food. But now when I am at the supermarket, I walk slowly, consciously between lines of foods that would make me sick and foods that would not, thinking, If I had a daughter, what would I feed her? 

I stop drinking alcohol. I’ve been halfheartedly trying for years but never managed to. A friend comments that she’s disappointed – that the only time she’s seen me having “real fun” is when I’ve been wasted. I stop drinking. I stop speaking to that friend and don’t look back.

As the days get colder, I buy new warm pajamas, a soft towel, bedsheets, a hot water bottle with a fluffy cover shaped like a llama. I wrap myself up each night and keep myself warm.

In time, I look for a stronger hit. Driving home from work in the winter months, as the sky bruises into night, I stop by the beach, my bare feet denting into the dense damp sand as I walk to the water. I wade in and when it’s deep enough I drop to my knees. The cold shock stops my breath and my head hums with the danger. I remember panic, I remember the threat of being left, of death. I force air out and then drag it kicking and screaming back into my lungs.

I’m here, I tell myself, chattering above the cold waves, convincing my body to calm, 

I’m here.

I get home, put myself in the shower, sit on the slippery tiled floor and cup handfuls of hot water over my shivering body. In my bedroom I dry myself slowly and slip into soft pajamas. I brush my hair, stroke my head, put myself in bed, wrap the blankets around me, all but kissing myself to sleep. 

Every therapy session opens up a deeper level of grief. Each time I think I’ve felt the worst of it, another layer is there, waiting for me below the surface of the last one. When I realise the many ways I have lost my mum throughout my life, I clutch the grief close to my chest, between a teddy bear and my shivering ribs. I take days off work, I say no to invites in the evenings and weekends. I spend whole days in bed. 

The distance between love and grief can be measured in hairlines. They are twin sister feelings, only differentiated by a freckle on the cheek of one and not the other. When the pain comes, I wrap myself up and I lay there with it. At the core of my grief, under the blankets and blinded by the full force of it, I realise that this is the closest I have felt to my mum in years. And I begin to treasure the feeling like some daughters treasure a diamond ring handed down, or the car they got on their 21st birthday, or the day they moved back in with their parents when they needed some extra support. It is mine, it is ours, it belongs to every age I have ever been. Nothing will separate me from it. 

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This Mother’s Day, I will wake in a body that is different to the one that walked through that door into my first therapy session five years ago. That body that felt orphaned and abandoned has found a safe place among people who love it. I will wake feeling whole, connected, assured. Or maybe not, maybe I’ll wake feeling scattered, sad, existential, but I’ll be there, at least, with myself. I won’t wake up alone. I’ll make a too-strong coffee, get back into bed, read a couple of articles which help, like this one and I’ll remember I’m never actually alone. 

I’ll take myself out for breakfast, maybe with a friend who has also needed to be her own mother for a long time. Neither of us will have kids to get back to. There might be more eggs on our plates than in our ovaries between us. Not quite mothers, not quite daughters. We might feel exhausted or elated, and feel a right to be celebrated for all the ways that we have held ourselves over the years. We’ll joke about a holiday all of our own – “Re-parenters’ day”, “Mothers-of-inner-children-appreciation-day”, a day where someone else carries the load for a moment, and all therapy sessions are free for 24 hours. 

I’ll send a message to my mum. It won’t be worded perfectly. It will take me a long time to write just a few sentences that will never feel like enough. I’ll say thank you, and I’ll mean it.

The young parts of me will tug at my sleeve and I’ll go home, spend time with them. I’ll pull a small-ish box of arts and crafts out and lay it in front of me on the floor. I’ll trace lines of blue and yellow and purple and red. I’ll rip the paper and it won’t matter. I’ll have no plan, no skill. I’ll feel peaceful, or agitated or grateful or sad and it all will be OK. At night, I’ll get into the bed we share, and I’ll hold myself, and I’ll be held. 

Keep going!
Cahoots founder Jade Musther leans on a drop saw in front of a pride-coloured background
Cahoots workshop will be the first of its kind in Aotearoa. (Photo: Supplied, treatment: The Spinoff)

SocietyMay 10, 2025

How to build Aotearoa’s first workshop for women and gender diverse folks

Cahoots founder Jade Musther leans on a drop saw in front of a pride-coloured background
Cahoots workshop will be the first of its kind in Aotearoa. (Photo: Supplied, treatment: The Spinoff)

Cahoots began as a mobile queer tradie collective driven by Jade Musther. Now, she’s on the cusp of opening a workshop to further share her skills with other women and the trans community.

Behind a roller door in Wellington’s Mount Cook – one of the queerest suburbs in Aotearoa’s queerest city – handy ma’am Jade Musther has spent weeks building the makerspace of her dreams. She’s two months out from opening what would be the first workshop for women and gender diverse people in Aotearoa, and though the space is still in progress, you can catch the queer touches everywhere – like the pink and purple spraypaint all over her tools, or the pride flag hanging above a workbench.

First an e-bike led trailer in 2021, Musther’s not-for-profit Cahoots – created to serve as a queer tradie collective – has already come a long way from being cycled around the capital’s hills. Earlier in life, Musther worked as an engineer, in construction and other trades, before spending “a chunk” of time away from the industry post-transition. “I came back to it in this new role … and obviously I knew there was gender inequity in this space, but I didn’t realise how much it annoyed me until I started working again,” she says.

Ahead of a July opening, Musther has been crowdfunding $50,000 to be able to fit out her makerspace and provide all the necessary tools. Her Hopper Street garage formerly belonged to a different trades business, so the workshop already has a few leftover tools and workbenches, and Musther and her volunteers have been busy building within the space; an office room for admin work, and a wall to separate the entryway from the workshop itself (the “terf wall” as Musther affectionately calls it).

Her volunteers include friends, family, supporters and a lowly Spinoff reporter who knows nothing about being on the tools, but how are you supposed to learn something new if you don’t throw yourself in the deep end? On an old cable spool table, she places a blueprint for the walls which will enclose the workshop’s office area, looks at me, and asks: “So, what are you thinking, looking at this?”

Cahoots founder Jade Musther sits on a platform outside her workshop in the sun.
Jade Musther: “I knew there was gender inequity in this space, but I didn’t realise how much it annoyed me until I started working again.”

Terrified and confused is my immediate answer, with a sprinkling of shame for feeling that way in the first place. As well as the figures, the paper is filled with numbers, and I can’t tell which blocks on the page represent the frames, or the gaps in between, or how the wall in print is supposed to turn into a wall in real life. But three hours later, I’m almost convinced I could build a pretty fine cabin with my own bare hands.

“When you’re empowered in that way, when we can look at the world around you and have influence on it, that rolls over into other aspects of your life,” Musther tells me. “It rolls over into shaping how the world behaves around you, and how you interact with it and the spaces that you’re in.

“In a way, you can shape your destiny, right?”

It’s obvious from the outset that I’m one of the many ladies Musther refers to when she speaks of the inherent unease and lack of self-belief she’s observed in many women who are carpentry curious, but never felt like they fit into the trades space. With transphobia and misogyny going hand-in-hand, Musther says, the level of anxiety felt around being in these spaces is shared by the gender diverse community, too.

The idea to expand Cahoots into a workshop came after Musther hosted classes at the Newtown Community Centre, sharing the basics of her carpentry skills with women and the queer community. By the end of the sessions, her mentees were able to share their skills with each other, and engage in passionate discussions about the work they had done. When a man would enter the space, no matter how well-meaning, the comfortability shifted.

“Our community has been so separated from practical skills and tool use and building the environment around us for so long, for generations,” Musther says. “It’s become a habit that we have internalised, and so when we’re in spaces like that, we check ourselves and start to make ourselves smaller.”

A wall frame blueprint for the Cahoots workshop office area.
The blueprint to build the office area front wall – confusing? At first. Doable? Yes.

There will be the naysayers who question why a space should even be specific to certain people in the first place but, as Musther points out, the trades industry already operates this way – only 3% of those who work in construction are female, while in plumbing this figure drops to 1%. “I don’t think there’s a way I can explain it except for that we are already segregated, disadvantaged, prejudiced against, assaulted and insulted, and that generates multigenerational fear and disadvantage,” Musther says.

“I can’t exactly prove to you that every woman who goes into Bunnings feels excluded, but I can lean on the statistics.”

Sometimes, the unease looks like second guessing everything you’re doing, or throwing in the towel before you’ve started. I can’t help but keep looking to Musther for her approval as she shows me how to measure a length of timber to get the cut you want. I wasn’t sure if I’d lined up the square ruler in the right place (I hadn’t, and all I could hear was my nervous laughter filling the room, but she was very nice about it). “There’s so many ways you can go wrong [with creating something],” she smiles. “But if you don’t talk about it or understand it, then you just stumble into it.”

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There are also so many ways in which sexism seeps into the trades. Such as the design of women’s coveralls – typically cinched, embroidered with flowers and/or coloured pink – or being able to find virtually no stock images of women working in a trade so Musther can advertise her business. 

As she shows me how to grip a drop saw handle, more evidence of the industry’s women-problem reveals itself – my hands are too small to fully grasp it so they snag another trigger, which actually gets the saw whirring and cutting. Musther says these tools usually have a one-size-fits-all consumer in mind: a big, burly man, which is why she also recommends buying Japanese brands.

The saw whirrs into action, I slice a small end off a length of timber to square it up, and with our cutting markers in place we get to cutting six pieces to the right length needed for our frame. When the first piece is nicely chopped, it’s placed on top of the next length of timber and marked so that we don’t need to bring out the measuring tape again, and the practice becomes meditative: square, mark, cut, move on. The smell of the sawdust burning off the wood is somehow sweet and homely.

Cahoots' Jade Musther leans against a table saw in her workshop.
I dream of being as brave as Musther is with a saw.

The timber we use was donated by Mitre 10, the tools from various donors (and Musther’s own garage) and while we build, Musther is waiting for a well-wisher to drop off a used TV which will come in handy for teaching classes. The construction of Cahoots has been an entirely grassroots effort, with Musther and mates hitting their contact books, social media and trying to get media bites in the hopes of being able to spread the word.

Cahoots’s $50,000 crowdfunding campaign ends on May 16, and from there, Musther says the workshop will sustain itself through regular member donations and ticketed classes (with options for low income mentees) which will have “broad appeal”. “In an unjust, biased system where there isn’t enough funding for these kinds of things, an imperfect solution can be the answer for an imperfect system,” she says.

All of a sudden, the hours have passed in Musther’s workshop. I’m trying to keep a drill in line with my timber, but the tool is kind of heavy, and my shaky hands are wobbling the bit which holds the screw. Pressing the button gives me a bit of fright, and my immediate reaction is to giggle at myself.

I make a mental note that maybe my nervous laughter is a subconscious way for my apprehension to sneak through. Really, I was feeling more and more confident as we spent more time together, but I’d already warned Musther that I’m my own worst critic – that damned intergenerational unease is just peaking out again. With a little more practice, I think I probably could totally get over myself.

After a few more wobbles, the screw slides in – sometimes just a few millimeters at a time – and suddenly, the timber we’d spent the afternoon cutting is attached, and forming a shape. It looks like a frame and it’s a strange rush to see the blueprint plans come to fruition. Even if it isn’t even fully done, I can’t help but feel quite chuffed with myself. And Musthere, a great cheerleader, indulges in my visions of grandeur: “maybe you could even build a cabin one day!”

Inside Cahoots workshop, with the half built frame sitting on the concrete floor.
That is indeed a frame built by TWO handy ma’ams.

Hypothetically, if you made three more of those and fashioned a ceiling, you’d have a house. Wait, I have the ability to build a house now? It feels almost strange to be in possession of a knowledge that is so old, practical and, honestly, kind of life-changing and now not too difficult to grasp (once you’ve got the basics down). It’s a skill that typically gets passed down from fathers to sons, while the daughters are left to hope that the husbands they marry one day might have shared the same paternal familial ties.

On one side of this dream house, I’d keep the tools that helped build my home. On the other wall, I’d get to work on learning how to add in a window, and make glass cutting my next venture. And I also won’t have to let in any man (unless I really want to).